When I wrote my previous letter from Ukraine at the beginning of August, no one expected that the world would soon be watching with surprise and pain the events of another war. This time, war in the territory of the state of Israel in the Gaza Strip. The media bore the information about thousands of dead and wounded civilians, including women and children, along with the drama of kidnapped hostages. The horror of the military conflict is repeating itself before our eyes in such a short amount of time. The war in Ukraine that’s been dragging on month after month is no longer an interesting subject for many around the world, and news from the Dnipro River rarely appears on the front pages of the world’s media. Even in Ukraine you can pick up on a certain level of exhaustion, sometimes accompanied by irritation and anger. But despite 627 long days of war drama, I still cannot detect any attitude of resignation, apathy, or surrender — maybe because we’re all aware that the stakes in this war are very high, and its conclusion will shape the future of the Ukrainian nation.

ÆTERNUM is a nomadic experimental music project organized by Fr. Brian John Zuelke, O.P., a Dominican priest friar of the Province of St. Albert the Great. With a Minnesota-grown group of musicians, ÆTERNUM hopes to slowly build up a collection of excellent mash-ups between sacred texts and popular music forms.

ÆTERNUM began as a nagging dream of Fr. Brian’s while in formation to be a religious priest in Saint Louis, MO. Ideas would come to his mind overlaying sounds of his past love of loud, beautiful rock music with his later love of the sacred music traditions of medieval Christianity. But what to do about it?